Little studied and published, even more rarely exhibited, jewelry drawings remain relatively unknown to the general public. Nevertheless, this drawing plays an essential role, serving as the reference point for all those involved in the creation of the jewelry item. Since the Renaissance, the drawing constitutes the first, and indeed, one might say the primordial step, in that it gives life to the idea, and allows the idea to be realized.

Through the various drawings on display, the exhibition allows us to question what is referred to as a “jewelry drawing”. Several themes emerge. The first being that of its creation, like techniques, supports used, materials or standards of this type of drawing. This leads to the question of the identity of the author: a jewelry-designer, a specialist designer, an artist? How many hands are involved in its realization? Finally, remains the question of the use of the drawing: originally it was a “technical tool” to guide the various artisans involved in the production of the piece, but over time, many have become works of art in their own right, admired and sought-after for their unique qualities.

The scenography offers an immersive experience inside an entirely designed space, taking visitors on a journey through a life-size drawing.